Civitatis Ar, Plus!

Cylinder of Justice

The officer pointed to a distant cylinder. "The Cylinder of Justice," he said. "The execution will take place as soon as the girl can be presented." The cylinder was white, a color Goreans often associate with impartiality. More significantly, it indicated that the justice dispensed therein was the justice of Initiates.
There are two systems of courts on Gor - those of the City, under the jurisdiction of an Administrator or Ubar, and those of the Initiates, under the jurisdiction of the High Initiate of the given city; the division corresponds roughly to that between civil and what, for lack of a better word, might be called ecclesiastical courts. The areas of jurisdiction of these two types of courts are not well defined; the Initiates claim ultimate jurisdiction in all matters, in virtue of their supposed relation to the Priest-Kings, but this claim is challenged by civil jurists. There would, of course, in these days be no challenging the justice of the Initiates. I noted with repulsion that on the roof of the Cylinder of Justice there shimmered a public impaling spear of polished silver, some fifty feet high, gleaming, looking like a needle in the distance.  TARNSMAN OF GOR-, (1) Pages 193-194

Marlenus was, in general, well informed of the political situation; indeed, to be so informed required only the vantage point he had so stoutly defended for several days and a particle of awareness. He swore violently when I told him of the proposed fate of Talena, yet refused to accompany me when I announced that I would attack the Cylinder of Justice.
"Look!" cried Marlenus, pointing below. "The garrison of Pa- Kur is well within the city. The men of Ar discard their weapons!"
"Will you not try to save your daughter?" I asked.
"Take what men of mine you will," he said. "But I must fight for my city. I am Ubar of Ar, and while I live my city will not perish." He lowered his helmet on to his head and loosened his shield and spear. "Look for me hereafter in the streets and on the bridges," he said, "on the walls and in the hidden rooms of the highest cylinders. Wherever the free men of Ar retain their weapons, there you will find Marlenus."
I called after him, but his choice, painful though it must have been, had been made. He had brought his tarn to flight and was descending to the streets below to rally the dispirited citizens of Ar, to call them again to arms, to challenge them to renounce the treacherous authority of the self-seeking Initiates, to strike again their blow for freedom, to die rather than yield their city to the foe. One by one, his men followed him, tarnsman by tarnsman. None left the roof of the cylinder to seek his safety beyond the city. Each was determined to die with his Ubar. And I, too, if a higher duty had not called me, might have chosen to follow Marlenus, ruthless Ubar of that vast and violated city.
Once again alone, sick at heart, I loosened my spear and shield in their saddle straps. I entertained no hope now but to die with the girl unjustly condemned on the distant, gleaming tower. I brought the tarn to flight and set its course for the Cylinder of Justice. I noted grimly, as I flew, that large portions of the horde of Pa-Kur were crossing the great bridges over the first ditch and moving towards the city, the sunlight flashing on their weaponry. It seemed that the conditions of surrender meant little to the horde and that it was determined to enter the city, now and in the full panoply of war. By night Ar would be in flames, its coffers broken open, its gold and silver in the bedrolls of the looters, its men slaughtered, its women, stripped, lashed to the pleasure-racks of the victors.
The Cylinder of Justice was a lofty cylinder of pure white marble, the flat roof of which was some hundred yards in diameter. There were about two hundred people on the cylinder roof. I could see the white robes of Initiates and the variegated colors of soldiers, both of Ar and of Pa-Kur's horde. And, dark among these shapes, like shadows, I could see the somber black of members of the Caste of Assassins. The high impaling post, normally visible on the top of the cylinder, had been lowered. When it was raised again, it would bear the body of Talena.
I was over the cylinder and dropping the tarn to its centre. With cries of surprise and rage, men scattered from beneath the suddenly descending gigantic shape. I had expected to be fired on immediately but suddenly remembered that I still wore the garb of the messenger. No Assassin would fire on me, and no one else would dare.
The tarn's steel-shod talons struck the marble roof of the cylinder with a flash of sparks. The great wings smote the air twice, raising a small hurricane that caused the startled onlookers to stagger backward. Lying on the ground, bound had and foot, still clad in the white robe, was Talena. The point of the sharpened impaling post lay near her. As the tarn had landed, her executioners, two burly, hooded magistrates, had scrambled to their feet and fled to safety. The Initiates themselves do not execute their victims, as the shedding of blood is forbidden by those beliefs they regard as sacred. Now, helpless, Talena lay almost within the wing span of my tarn, so near to me and yet a world away.  TARNSMAN OF GOR-, (1) Pages 202-204

Due, I believe, partly to my arguments and the prestige of what I had done, unprecedented lenience was shown to the surrendered armies of Pa-Kur. The Home Stones of the Twelve Tributary Cities were returned, and those men who had served Pa-Kur from those cities were allowed to return to their cities rejoicing. The large contingent of mercenaries who had flocked to his banner were kept as work slaves for a period of one year, to fill in the vast ditches and siege tunnels, to repair the extensive damage to the walls of Ar, and to rebuild those of its buildings that had been injured or burned in the fighting. After a year of servitude, they were returned, weaponless, to the cities of their birth. The officers of Pa-Kur, instead of being impaled, were treated in the same manner as common soldiers, to their relief, if scandal. Those members of the Caste of Assassins, the most hated caste on Gor, who had served Pa-Kur, were taken in chains down the Vosk to become galley slaves on the cargo ships that ply Gor's oceans. Oddly enough, the body of Pa-Kur himself was never recovered from the foot of the Cylinder of Justice. I assume it was destroyed by the angry citizens of Ar.  TARNSMAN OF GOR-, (1) Pages 215-216

Had her protectors been killed? Was she perhaps an escaped slave, fleeing from a hated master? Could she be, like myself, an exile from Ko-ro-ba? Its people have been scattered, I said to myself, and no two stones and no two men of Ko-ro-ba may stand again side by side. I gritted my teeth. The thought ran through my head, no stone may stand upon another stone.
If she were of Ko-ro-ba, I knew that I could not, for her own welfare, stay with her or help her. It would be to invite the Flame Death of the Priest-Kings for one or the other, perhaps both of us. I had seen a man die the Flame Death, the High initiate of Ar on the summit of Ar's Cylinder of Justice, consumed in the sudden burst of blue fire that bespoke the displeasure of the Priest-Kings. Slim though her chances might be to escape wild beasts or slavers, they would be greater than the chance of escaping the wrath of the Priest-Kings.  OUTLAW OF GOR-, (2) Page 51

A man approached Kamchak. "The tarnsman," he said, "escaped." He added, "As you said, we did not fire on him for he did not have with him the merchant, Saphrar of Turia."
Kamchak nodded. "I have no quarrel with Ha-Keel, the mercenary," he said. Then Kamchak looked at me. "You, however," he said, "now that he knows of the stakes in these games, may meet him again. He draws his sword only in the name of gold, but I expect that now, Saphrar dead, those who employed the merchant may need new agents for their work--and that they will pay the price of a sword such as that of Ha-Keel." Kamchak grinned at me, the first time since the death of Kutaituchik. "It is said," remarked Kamchak, "that the sword of Ha-Keel is scarcely less swift and cunning than that of Pa-Kur, the Master of Assassin"
"Pa-Kur is dead," I said. "He died in the siege of Ar."
"Was the body recovered?" asked Kamchak.
"No," I said.
Kamchak smiled. "I think, Tarl Cabot," he said. "you would never make a Tuchuk."
"Why is that?" I asked.
"You are too innocent," he said, "too trusting."
"Long ago," said Harold, nearby, "I gave up expecting more of a Koroban."
I smiled. "Pa-Kur," I said, "defeated in personal combat on the high roof of the Cylinder of Justice in Ar, turned and to avoid capture threw himself over the ledge. I do not think he could fly."
"Was the body recovered?" Kamchak asked again.
"No," I said. "But what does it matter?"
"It would matter to a Tuchuk," said Kamchak.
"You Tuchuks are indeed a suspicion lot," I remarked.
"What would have happened to the body?" asked Harold, and it seemed he was serious.
"I suppose," I said, "it was torn to pieces by the crowds below--or lost with the other dead. Many things could have happened to it."
"It seems then," said Kamchak, "that he is dead."
"Surely," I said.
"Let us hope so," said Kamchak, "For your sake."  NOMADS OF GOR-, (4) Pages 323-324

For years the black of the Assassins had been outlawed in the city. Pa-Kur, who had been Master of the Assassins, had led a league of tributary cities to attack Imperial Ar in the time when its Home Stone had been stolen and its Ubar forced to flee. The city had fallen and Pa-Kur, though of low caste, had aspired to inherit the imperial mantle of Marlenus, had dared to lift his eyes to the throne of Empire and place about his neck the golden medallion of a Ubar, a thing forbidden to such as he in the myths of the Counter-Earth. Pa-Kur's horde had been defeated by an alliance of free cities, led by Ko-ro-ba and Thentis, under the command of Matthew Cabot of Ko-ro-ba, the father of Tarl of Bristol, and Kazrak of Port Kar, sword brother of the same Warrior. Tarl of Bristol himself on the windy height of Ar's Cylinder of Justice had defeated Pa-Kur, Master of the Assassins. From that time the black of the Assassins had not been seen in the streets of Glorious Ar.
Yet none would stand in the way of Kuurus for he wore on his forehead, small and fine, the sign of the black dagger.
When he of the Caste of Assassins has been paid his gold and has received his charge he affixes on his forehead that sign, that he may enter whatever city he pleases, that none may interfere with his work.  ASSASSIN OF GOR-, (5) Pages 6-7

It had been a strange and eventful summer, fantastic in many ways. Week by week Ar became ever more wild, ever more lawless. Gangs of men, often armed, roamed the streets and bridges, apparently undisturbed by Warriors, their depredations not curbed; and, startlingly, when captured and sent to Central Cylinder, or to the Cylinder of Justice pretexts would be found for the release, customarily on legal technicalities or alleged lack of evidence against them. But, as this lawlessness grew, and it become such that men would not walk the bridges without arms, the frenzy over the races and the games grew more rabid; it became more rare on the streets and bridges to pass a person who would not, either for himself or for someone he knew, wear a fraction patch, even on those rare days in which the Stadium of Tarns stood empty. People seemed to care little for anything save the races and the games. Their neighbor's compartment might be despoiled by ruffians but, if they themselves were unharmed, they would think little of it and hasten to their chosen entertainment, fearing only that they might be late.  ASSASSIN OF GOR-, (5) Page 229

"The wall seems very bare there," said Marcus, as we passed a public edifice, a court building.
There were also numerous small holes in the wall, chipped at the edges.
"Surely you have noted similar walls," I said.
"Yes," he said.
"Decorative reliefs, in marble, have been removed from them," I said. "As I recall the ones here, they celebrated the feats of Hesius, a perhaps legendary hero of Ar."
"He for whom the month of Hesius is named," said Marcus.
"I presume so," I said. The month of Hesius is the second month of the year in Ar. It follows the first passage hand. In Ar, as in most cities in the northern hemisphere, the new year begins with the vernal equinox.
"Were the marbles here well done?" asked Marcus.
"Though I am scarcely a qualified judge of such things," I said, "I would have thought so. They were very old, and reputed to be the work of the master, Aurobion, though some have suggested they were merely of his school."
"I have heard of him," said Marcus.
"Some think the major figures profited from his hand and that portions of the minor detail, and some of the supportive figures, were the work of students."
"Why would the marbles be removed?" asked Marcus.
"They have antiquarian value, as well as aesthetic value," I said. "I would suppose that they are now on their way to a museum in Cos."
"The decorative marbles on the Avenue of the Central Cylinder, and those about the Central Cylinder itself, and on the Cylinder of Justice are still there," he said.
"At least for the time," I said. The building we had just passed was an extremely old building. Many in Ar were not sure of its age. It may have dated to the first ubarate of Titus Honorious. Many of the functions originally discharged within its precincts had long ago been assumed by the newer Cylinder of Justice, located in the vicinity of the Central Cylinder. Incidentally, many buildings, particularly public buildings, in this part of the city, which was an older part of the city, were quite old. Many smaller buildings, dwellings, shops, insulae, and such, on the other hand, were relatively new. I might also mention, in passing, if only to make the controversy concerning the "Auborbion marbles" more understandable, that many Gorean artists do not sign or otherwise identify their works. The rationale for this seems to be a conviction that what is important is the art, its power, its beauty, and so on, and now who formed it. Indeed many Gorean artists seem to regard themselves as little more than vessels or instruments, the channels or means, the tools, say, the chisels or brushes, so to speak, by means of diversities, in its beauties and powers, its flowers and storms, its laughters and rages, its delicacy and awesomeness, its subtlety and grandeur, expresses itself, and rejoices. Accordingly the Gorean artist tends not so much to be proud of his work as, oddly enough perhaps, to be grateful to it, that it consented to speak through him. As the hunters of the north, the singers of the ice pack and of the long night have it, "No one knows from whence songs come." It is enough, and more than enough, that they come. They dispel the cold, they illuminate the darkness. They are welcomed, in the darkness and cold, like fire, and friendship and love. The focus of the Gorean artist then, at least on the whole, tends to be on the work of art itself, not on himself as artist. Accordingly this attitude toward his art is less likely to be one of pride than one of gratitude. This makes sense as, in his view, it is not so much he who speaks as the world, in its many wonders, great and small, which speaks through him. He is thusly commonly more concerned to express the world, and truth, than himself.  MAGICIANS OF GOR-, (25) Pages 106-108
 

Kudos to you, Mr. Norman for writing the Gorean series!
A rich, yet utterly simple saga; a world, a time, a people;
those of the Counter-Earth .. the planet .. Gor.
Thank you!

The material presented herein was researched and compiled by me, naia{Saul}.
The material referenced comes from John Norman's Gor Series, The Counter-Earth Saga.
This is a work in process.
Please, do not take, copy, duplicate, or use this work as your own.
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